Oily Brush is the mix of funny, communicative, comic and sketchy directions. The font ist perfect in use with the food, doodle or the cartoon themes and has the small nuance from the oil-painting.
This script designed to be informal, casual and easy in the perception and includes confidently positive emotions.
Download Janetta Fonts Family From Sinfa
Download Roman Morrissey Fonts Family From madeDeduk
January 07, 2020
branding fonts
,
brush fonts
,
Brush Lettering
,
brush script
,
bundles
,
display fonts
Roman Morrissey is a handwritten brush script. This font is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, quote designs, and more.
Feature:
- UPPERCASE
- lowercase
- Number & Symbol
- International Glyphs
- Alternative Uppercase
- Alternative lowercase
- Ligature
- Swash and Splash
If you need anything else please contact me by dedukvic@gmail.com
Download New Yorker Type Classic Fonts Family From Wiescher Design
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher
Download New Yorker Type Pro Fonts Family From Wiescher Design
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher
Download Amerio Fonts Family From Subectype
January 07, 2020
advertise
,
advertisement
,
advertisements
,
advertising
,
advertising fonts
,
branding
Amerio is a rough font that was made by Subectype Studio. It features a brush made feel and looks so fun. Every single letter has been naturally hand written, making this typeface unique. It was scanned and put together as a font. The font suits best for big headlines, logos, posters, book cover, quotes and much more.
Download Manthoels Fonts Family From Almarkha Type
Manthoels is our new Stylish Signature font, a fashionable and super-chilled sexy script.
Manthoels was created to look as close to a natural handwritten script as possible. Built with OpenType features, this script comes to life as if you are writing it yourself. Thanks to the very natural writing techniques that look beautiful and elegant, this font is very suitable to be used to brand a product because if you write a brand name it will look like your company signature. Manthoels is perfect for bloggers, trademarks, magazines, fashion, wedding invitations, greeting cards.
It's highly recommended to use it in OpenType capable software - there are plenty out there nowadays as technology catches up with design.Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with OpenType capabilities - even the most basic ones such as Apple’s Text Edit, Pages, Keynote, iBooks Author, and others.
Thanks for checking Manthoels out, and feel free to drop me a message if you have any queries.
almarkhatype@gmail.com
Download Kidszania Fonts Family From Nirmalagraphics
January 07, 2020
hand drawn
,
hand drawn fonts
,
hand-drawn
,
handlettering
,
handmade font
,
handwriting
I'm Andrea, creator at Nirmalagraphics and I want to present my latest font called "Kidszania".
I took the name from a children's playground filled with writings posted on the wall. I found a child's writing style that is funny, looks clean and natural.
I tried a rough sketch of a font that resembled the writing of the child, then I modified it to become the "Kidszania" font.
This font can be used for any needs, especially children-themed designs.
Download Cartoon Nouveau JNL Fonts Family From Jeff Levine
Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends.
The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.
Download Clarika Pro Fonts Family From Wild Edge
Clarika is driven by the core concept that a font family can provide both a geometric and grotesque set of sub-families, interchangeable to create a robust versatile type system.
Clarika Pro is based on the successes of the 2017 cut of the original Clarika. Enhanced with features requested by customers and revamped based on its use across mediums, Clarika Pro is a thoughtful evolution and adaptation. The family has been extended with deeper language support. It has been redrawn, re-kerned, and re-spaced for an even more distinguished look. Unique features have been added to the families such as duplexed numerals and currencies, enabling ways to present large amounts of data without losing alignment when bolding line items. To extend usability, Clarika Office is now available as a companion to Clarika Pro, mapping popular combinations of weights together for use within office applications such as Word or PowerPoint.
Within all Clarika families co-exists two sub-families, Clarika Geometric and Clarika Grotesque. Clarika Geometric is the backbone of the system defined by calculated precision, the balance of hard and soft geometry, and simplicity of form while Clarika Grotesque is refined by traditional cues, elegant page texture, and classic grotesque detailing. Unique notches and angled terminals throughout both sub-families invite negative space into counters allowing letterforms to become more legible and gracefully support an incredible range of weight options. Clarika is both a nod to the past and a step towards the future.
Character sets support over 200 Latin-based languages covering Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, and Cyrillic languages. Equipped for professional typography, Clarika supports OpenType features include lining, tabular, and oldstyle figures, fractions, ordinals, superscripts, subscripts, and more.
Download Marble Fonts Family From URW Type Foundry
January 07, 2020
clear
,
clearsans
,
contemporary
,
contemporary humanist
,
contemporary sans
,
elegant
Marble is part of Asterisk Type Collection by URW Type Foundry. Marble is a modern sans serif with a distinct character and comes in 108 styles plus Variable Fonts. It grew from the desire to create full bodied letters in contrast to the economy of most sans serif faces. Designed for corporate and publishing use it is rounded and approachable, its three styles (Condensed, Normal and Wide) range from slender elegance to warmth and playfulness without ever being informal. Designed by Alessia Mazzarella and Vaibhav Singh, Marble derives its character from the generous roundness of the x-heights which is balanced by the striking horizontal or vertical cuts to the terminals. The result is a readable font that encourages the eye to move from one shape to the next and that offers a range of possibilities for digital and print. The Marble family has nine weights in Latin for each variant. Eminently versatile, it’s ideal for establishing hierarchies of information with a wealth of choices for headlines, subheadings, captions and body copy styles that are all in harmony with each other. The Wide style allows headlines to be set with width and presence.
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